KALEIDOSCOPE and GOAT
present

KALEIDOSCOPE Manifesto
25-28 June 2022

KALEIDOSCOPE and GOAT are excited to announce that after a three-year hiatus, the new edition of KALEIDOSCOPE Manifesto returns to Paris from June 25 to June 28. Opening during Men’s Fashion Week, the festival takes over one of the city’s most iconic modern architectural landmarks—the headquarters of the PCF (French Communist Party), designed by legendary Brazilian architect Oscar Niemeyer.

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Photo credits: Dimitri Bourriau, David Fritz


Against this unique setting, KALEIDOSCOPE Manifesto brings together visionary artists and creators from different areas of culture across three days of talks, workshops, installations and music performances.
The installations transform the building into a dream-like landscape populated by imagined creatures, negotiating the boundaries of human and machine, reality and fiction, contemplation and desire.
Meanwhile, the daily programming spanning art, fashion, architecture, music and film, interrogates what makes us “us,” and the forms of our individuality and our togetherness in the past, present and future.

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Featuring

Sterling Ruby
Hajime Sorayama
H.R. Giger
Lorenzo Senni
Low Jack x Le Diouck
L'Rain

Mowalola
Pol Taburet
Sara Sadik
Lee Scratch Perry
Guillermo Santoma
Anonymous Club
John Glacier
PigBaby

Tremaine Emory
Kandis Williams
Korakrit Arunanondchai
Martine Syms
Meriem Bennani
Tommy Malekoff
Bunny Rogers
Jan Vorisek
Armature Globale
Classic
Jah Jah
Air Afrique
and more

25.06.2022

6.30 PM
Talk
Tremaine Emory / Kandis Williams
7.30 PM
Performance
Anonymous Club
8.30 PM
Live set
Lorenzo Senni
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26.06.2022

4.00 PM
workshop
Classic Zine Workshop Pt. 1
7.00 PM
Performance
John Glacier
8.30 PM
Live set
Low Jack & LeDiouck
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27.06.2022

3.00 PM
Talk
Snuff Architecture
4.00 PM
Workshop
Armature Globale
7.00 PM
Performance
PigBaby
8.30 PM
Live set
L'Rain
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28.06.2022

4.00 PM
workshop
Classic Zine Workshop Pt. 2
2.00 PM
Lunch
JAH JAH POP-UP
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Interviews

Opening:
Saturday, 25 June 2022 6–10 pm

Opening hours:
Sunday, 26 June, 12–10 pm
Monday, 27 June, 12–10 pm
Tuesday, 28 June, 12–6 pm

For further inquiries: manifesto@kaleidoscope.media

Entry to the festival is open to the public and free of charge, granting access to the building, artist installations, video program, shop and cafe.

Talks, workshop, and performances have limited capacity and can be attended by invitation or pre-registration only.

Le Diouck

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The Paris-based musician, inspired by his time in Senegal and his daily life in France, talks about heartbreak and the beauty of Wolof language.

Cyrus Goberville: Can you tell me in a few words who you are?

Le Diouck: I am Le Diouck. I am a singer. I have a band called Nyokô Bokbaë with Bamao Yendé and Boy Fall. And in parallel, I am working on my first solo project with Lala &ce, which will be released by the end of the year on the label she created. I am the first one to sign on this label, which is called &ce Recless.

CG: Are you excited about that?

LD: Yes, a lot! But I am already on a second project right now.

CG: With which artists?

LD: There are several. With Bamao Yendé, we released an EP together called 55 Degrees, where he produced all the beats and I sang. We are going to release another one this summer. I did a little residency with him and Elliot Berthault from the group Rendez-Vous. The two of them got together, and it was crazy. They are in two different worlds, but I think we still managed to make a good project!

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CG: What is your first EP about?

LD: Well, there are a lot of love stories and heartbreaks. I was inspired by the great loves of my life that touched me and still touch me. That is what came to mind when I was writing. I was listening to my album recently, and I was like, “Wow, it is not joyful! Not joyful at all!”

CG: Aren't you a happy guy?

LD: I guess I am, but since I am talking about my heartbreaks, well, there is a lot of sadness.

CG: A few months ago you worked on Baiser Mortel, a French rap musical with Lala &ce and Low Jack, with whom you are also collaborating tonight. What did you get out of it?

LD: To be honest, Baiser Mortel was stunning. It was something really special—to have the opportunity to work with you and the Bourse du Commerce, you know, it was incredible. I’m looking forward to performing with Low Jack again tonight, it has been a long time and the aim is to make it memorable!

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CG: How did you come up with the idea of singing in both French and Wolof, the national language of Senegal?

LD: I am originally an illustrator. I was working on a graphic novel in an art school specializing in comics. Bamao was my best friend's boyfriend, and we used to draw all the time at his. He knew I spoke good Wolof and one day, he asked me to do a sound in Wolof for him, for a mix. Gradually, I started doing other songs with him, and I always did them in Wolof, and it was only with time that I started to integrate French as well. I like to alternate between them, but I think Wolof is a beautiful language. I like the way it sounds, because we have very strong words with lots of consonants, etc. I really like this language.

CG: And was that your introduction to performing?

LD: Yes. At the beginning, I wasn't really comfortable with singing or even making sounds, but performing really confirmed that I wanted to be a singer.